He’s a fool and don't I know it? But a fool can have his charms I'm in love and don't I show it? Like a babe in arms Love's the same old sad sensation Lately, I've not slept a wink But this half-pint imitation Put me on the blink I'm wild again, beguiled again A simpering, whimpering child again Bewitched, bothered, and bewildered am I I couldn't sleep and wouldn't sleep When love came and told me I shouldn't sleep Bewitched, bothered, and bewildered am I Lost my heart, but what of it? He is cold, I agree He can laugh, but I love it Although the laugh's on me I'll sing to him, bring spring to him And long for the day when I'll cling to him Bewitched, bothered and bewildered am I Lost my heart, but what of it? He is cold, I agree He can laugh, but I love it Although the laugh's on me I'll sing to him, bring spring to him And long for the day when I'll cling to him Bewitched, bothered and bewildered am I

“A rising star in the galaxy of jazz singers” - The New York Times “One of the most promising jazz singers of her generation” - Wall Street Journal For Cyrille Aimée, music is a way of life as much as an art form, setting her free to pursue her creative talents wherever the promptings of her diverse heritage take her. She has developed a remarkable multi-award winning, continent-spanning career as a singer, songwriter, lyricist, and educator, while always remaining true to her roots. She grew up in a multilingual household full of music where dancing was an everyday activity, sound tracked by the Afro-Caribbean rhythms of the bachata and merengue from her mother’s native Dominican Republic. The family home was in Samois-sur-Seine, the location of the Django Reinhardt Festival, one of the biggest annual gatherings of gypsy musicians in Europe. The teenage Cyrille would climb out of her bedroom window at night to mingle with the players, igniting a passion for jazz, and inspiring her with the idea of living within a global community of music, united in creativity and spontaneity, without limits or borders.  By the time Cyrille was 20, she had already lived on four different continents. A spell in Santo Domingo was followed by a move to New York City, attending SUNY Purchase by day and moonlighting as a singer in the Manhattan jazz clubs by night. Her talents quickly gained her a reputation among her peers as a fearless, warm, witty improviser and a matchless interpreter of song: she performed and recorded with Roy Hargrove, stole the show in front of the notoriously hard-to-please crowd at the Harlem Apollo, and won a string of competitions culminating in First Prize at the Sarah Vaughan International Jazz Vocal Competition. A contract with Mack Avenue Records, the home of many of the US premier league jazz artists, resulted in two highly acclaimed albums which attracted the attention of one of the premier league songwriters - Steven Sondheim. The musical theatre icon invited her to star alongside the legendary Bernadette Peters in an Encores Special Presentation tribute at New York’s City Centre in November 2013, backed by Wynton Marsalis and the Jazz at Lincoln Centre Orchestra, which was hailed by the New York Daily News as “a revelation.” Her 2019 album Move On featured versions of Sondheim’s songs which received praise from Sondheim himself, and one of its songs, "Marry Me a Little", was nominated for a 2019 Grammy Award. Starting in 2020, she reached out into the digital realm via a string of YouTube video collabs with the pianist and jazz influencer Emmet Cohen, and their version of ‘La Vie en Rose’ has been viewed more than 6 million times to date. At the height of her New York success, new horizons beckoned. A growing interest in sharing her vision of the interaction of spontaneity and creativity, and the importance of community, led to her developing her ideas into a TEDx Talk about the laws of improvisation and how they apply to life. A visit to New Orleans resulted in her falling in love with the city and moving there in 2017. NO’s unique mix of Latin, French and African-American Jazz heritage allowed her to fully explore all the sides of her own musical identity, freeing her to look beyond the constrictions of genre and to engage with her own inner creativity. Energized, unstoppable, in 2021 she bought a plot of land in the forests of Costa Rica, designed and built a house on it, and there in the calm of the forest started putting together material for a new project: songs drawn from her own life, encompassing every aspect of her journey so far. Linking back to New York to connect up all the dots, she teamed up with producer/multi-instrumentalist Jake Sherman, and together they have created her latest album, à Fleur de Peau to be released on a new label, the London-based imprint Whirlwind Recordings. It’s a set of songs that show a new side to Cyrille’s persona: one that encompasses her love of storytelling truth and musical freedom, drawing on all sides of her heritage. Combining the depth and sophistication of jazz, the immediacy of pop, the irrepressible dance rhythms of the Caribbean, it’s at once more intimate and more accessible than anything Cyrille has done before. “The way I practice being a better singer and artist is by practicing being a better person and by being honest with myself. The music then flows from within. It goes way beyond jazz, it’s the freedom to express what is inside you.” - Cyrille Aimée